Saturday 21 July 2012

Superheroes Comics Online

Superheroes Comics Online

Last week, Tom Spurgeon took a page from Monty Python and said he’d like to have an argument: “What are all these superhero comics really saying?” Given the genre’s domination of both the Direct Market and the comics internet, Spurgeon said he wanted to see a more in-depth discussion of what the heck is going on in these weird and wild comics, particularly regarding their heroes’ behavior and any potential larger message beyond “superheroes are awesome.”n response, I proposed an argument of my own: “Why do superheroes dominate the online conversation the way they do?” In light of how many comics commentators and critics clearly read a wide variety of comics, or at least have been known to from time to time, I’m perplexed by why The Rise of Arsenal gets so much more airtime thanArt in Time or 20th Century Boys.This weekend, Marc-Oliver Frisch managed to thread the needle of these two overlapping questions. On his personal blog, Frisch, best known as the DC number-cruncher for The Beat, posted a list of 

Superheroes Comics Online

Superheroes Comics Online

Superheroes Comics Online

Superheroes Comics Online

Superheroes Comics Online

Superheroes Comics Online

Superheroes Comics Online

Superheroes Comics Online

Superheroes Comics Online


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